About this account
I'm a sound and digital artist, interested in installation and intermedia, improvisation and electronic/electroacoustic music. I develop a bunch of open source software.
I keep only one account, so the toots are a mix of sound/art focused things, random thoughts, and few rants (CW'd, and you don't need to share my opinion). I'm friendly/respectful 🍍 + aim to keep an open mind.
Account is locked (allow time to review), because I don't want bots and nazis to follow me. Thx 🌈
#IEM Music #Residency Program 2021/22 has issued a new #call for applications: https://iem.kug.ac.at/institut-aktuell/details/article/iem-music-residency-program-2021-and-2022-call-for-applications.html
Some advances in developing the sound installation 'Through Segments' with a layer running on a Pi 4.
Definitely slower than on the laptop, but no real issues so far. Few xruns with binaural simulation and no jack params adjusted yet, so I'm fairly optimistic.
Have to run for long time to see if there are any memory leaks or such.
Is there a way to get _two_ independent analog video signals out of a single #Raspberry Pi (3B, 3B+ or 4B)? Or do I need to network two machines for that? Or is a simple way to convert one full HD HDMI signal to two adjacent analog video signals (PAL) ?
#MAST (Master Module in Art Science Technology) has published a series of podcasts with artists and scholars:
Oliver Baurhenn, Manuel Beltran, Jenny Brockmann, Chris Csikszentmihalyi, Dieter Daniels, Marco Donnaruma, Cristina Fiordimela, Maya Indira Ganesh, Kyriaki Goni, Freddy Paul Gruenert, Jekatarina, Janez Leban, Sanja Leban, Pauline Miko, Nahum Romero, Tiara Roxanne, Hanns Holger Rutz, Theresa Schubert, Robertina Sebjanic, Alois Yang
Nice - ICLI live streams: https://live-interfaces.github.io/liveinterfaces2020/livestreams/
(does this need cw for screw terminal kink?)
In 2011, I was pencilling around to understand how confluently persistent data structures work. #sketch
"Sorting" resonances by creating a complete graph with edges weights of Pearson correlation coefficients from spectral magnitudes, and applying a TSP algorithm (Lin-Kernighan, simply version without backtracking). Yields an interesting "endless walk".
'An Evening of (and about) Electronic Music'
Wed Feb 05, 18:00h, Colegio dos Jesuitas, Funchal PT.
Pauline MIKO (aka PLUIES)
Hanns Holger RUTZ
Join three artists crossing between the borders of sound, music, installation, performance, and visual art as they discuss their own practice and the state of electronic music in Europe and the world.
Free and open to the public. For more information contact: admin <at> m-iti.org
… it also means you can re-use the same stream multiple times, say on multiple objects in a timeline, or multiple restarts of a proc, and it will keep going where it was left. Or use it concurrently between processes. I think this expressivity was prior only available in SuperCollider patterns.
Working on adding a `Stream` object to Mellite.
Unlike `Pattern` which is an immutable program yielding a stream in memory, now you can create streams that maintain their state in the workspace. E.g., you can have counters or random walks or more complex programs that always resume where you left them. Think of a `drunk` object in Pd/Max, only that if you open your patcher again, it resumes from its last position. I think it will be a very interesting composition element for installations.
Sound Artist, Composer, Researcher
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