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Get ready for the adjoining - Algorithms that Matter Symposium 2020 / 2020, with calls for contributions (deadline: 31 Jan 2020):

- Almat 2020: almat.iem.at/symposium.html
- xCoAx 2020: xcoax.org/

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About this account

I'm a sound and digital artist, interested in installation and intermedia, improvisation and electronic/electroacoustic music. I develop a bunch of open source software.

I keep only one account, so the toots are a mix of sound/art focused things, random thoughts, and few rants (CW'd, and you don't need to share my opinion). I'm friendly/respectful 🍍 + aim to keep an open mind.

Account is locked (allow time to review), because I don't want bots and nazis to follow me. Thx 🌈

Soon travelling to set up 7-channel sound installation version of at Agorè gallery Gorizia for the festival (Nova Gorica / Gorizia).

Opening is Friday 17:30h. Check programme at pixxelpoint.org/

"The described machine has apparently never been built, but there is little doubt that it can be built any time soon <footnote: personal communication>"

ah.... o-kay

TFW you read an article on embodied cognition, when your colleague across the room asks you where to find the @ symbol on a Mac, and you say "Right-Alt and L", despite not having used a Mac in years...

TFW you have set up everything to make impulse response recordings of an object, and then your neighbouring church starts ringing the bells non-stop.

References to your own or other people's work in electronic/computer music/sound art that explicitly work with processes or procedure in which you "leave the computer running" and return at later stages to pick up renderings/results, perhaps iteratively?

In software, I know classic CSound, CDP, Sox, SoundHack, Pippi, FScape. I'd be interested to learn how this mode affects your way of working with/thinking in sound.

When you want to show off as a composer doing "complex music", but you haven't gotten beyond Max/MSP yet

2.41.0 is published now. It continues the work on the Action and Control objects, used to define algorithmic couplings (“glue”) between various objects in Mellite.

Support for closures has been added, allowing to map and flatMap options and sequences of expressions. Some elements changed, such as the Act type in action and control programs, which means that programs that make use of it are not compatible with the way preliminary support had been in v2.40.0. A new tutorial will follow.

Get ready for the adjoining - Algorithms that Matter Symposium 2020 / 2020, with calls for contributions (deadline: 31 Jan 2020):

- Almat 2020: almat.iem.at/symposium.html
- xCoAx 2020: xcoax.org/

"what has been excluded from recognisability" / "the ability to recognise construction becomes a tool for preventing unwanted manipulation" 🚧

I'm starting to document the development process of - including Mellite workspaces you can download. Here's a start: researchcatalogue.net/view/665

2.40.0 is published now.

It continues the work on the 'Action' and 'Control' objects, used to define algorithmic couplings ("glue") between various objects in Mellite. In this version, particularly the passiving of parameters from a control object into a runner using `runWith` has been added, as well as a way to return values, e.g. from an FScape signal process, using `MkLong`, `MkDouble` etc. along with a `Var` passed into `runWith` from the invoking control object.

Excited to show an installation version of (Meanderings) – Acoustical surveys of the City at this year's Nova Gorica.

We now have Slovenian texts. Our title was translated as Meandriranje - akustične študije mesta :thinkhappy:

Ok, I think I just accidentally created that Underworld "Rez" patch... [1/2]

(but Masto, why you cannot mix an image and a sound? see follow up toot)

If ur in Berlin this week:

DUMPF EDITION #12 CD release concert

Fri Sep 20th, 7 pm
km28, Karl-Marx-Str. 28

Segmod is a non-standard sound synthesis that embraces the discrete nature of digital sound.

Doors 19:00; concert 19:30.

19:30 performances:

Daniele Pozzi
Luc Döbereiner
Hanns Holger Rutz
David Pirrò

20:30 discussion moderated by Leonie Reineke

21:00 performances:

Yota Morimoto
Lula Romero
Miriam Akkermann
Ji Youn Kang
Casper Schipper
Martin Lorenz

dumpf.com/

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